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ElizabethNoble.Studio
About
Elizabeth Noble
Portfolio
Contact
Available
Originals
Commissions
Reproductions
Medium Prints
Large Prints
Mini Framed Prints
Cards
The Gift Shop
Print Club
Notes
Notes on Noticing
Newsletter
Login Account
Folder: About
Back
Elizabeth Noble
Portfolio
Contact
Folder: Available
Back
Originals
Commissions
Folder: Reproductions
Back
Medium Prints
Large Prints
Mini Framed Prints
Cards
The Gift Shop
Print Club
Folder: Notes
Back
Notes on Noticing
Newsletter
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Originals Oranges in January
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Oranges in January

from $185.00

Original, Elizabeth Noble Painting

Materials: Gouache on gray Rivers BFK 280 gsm paper, made in France.

Dimensions: 8 × 10 inches.

Option to purchase with or without a 11 × 14” black, mat, metal frame with UV plexiglass and archival matboard.

About: I find myself grateful for citrus every winter. And I keep bringing orange wedges into the studio as a snack. When they catch the light, they are irresistible painting subjects. This piece, is one of those rare sketches that came out just right, and isn’t overworked. I made it in January 2025.

Framing:
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Add To Cart

Original, Elizabeth Noble Painting

Materials: Gouache on gray Rivers BFK 280 gsm paper, made in France.

Dimensions: 8 × 10 inches.

Option to purchase with or without a 11 × 14” black, mat, metal frame with UV plexiglass and archival matboard.

About: I find myself grateful for citrus every winter. And I keep bringing orange wedges into the studio as a snack. When they catch the light, they are irresistible painting subjects. This piece, is one of those rare sketches that came out just right, and isn’t overworked. I made it in January 2025.

Original, Elizabeth Noble Painting

Materials: Gouache on gray Rivers BFK 280 gsm paper, made in France.

Dimensions: 8 × 10 inches.

Option to purchase with or without a 11 × 14” black, mat, metal frame with UV plexiglass and archival matboard.

About: I find myself grateful for citrus every winter. And I keep bringing orange wedges into the studio as a snack. When they catch the light, they are irresistible painting subjects. This piece, is one of those rare sketches that came out just right, and isn’t overworked. I made it in January 2025.

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